Some Ways to Tell If Your Mix Is Too Busy
The art of mixing in many ways is an art of balance — they weigh different frequencies, audio levels,sound placements, etc.many times, when you try to balance too many things at once, things start to fall apart. If your Mix is too busy and overflowing with colliding frequencies and resounding audio clips, you should clean it up before releasing the music. So before you give the green light to a mixture that is too busy at the border, give it some Tests. We’ve outlined four ways to determine if your Mix is too busy and we offer a solution in every respect.
1. You can, some parts of not hear
While not every sound in your Mix has a place in the front row, if exceptional elements like vocals, guitar or drums struggle to hear clearly, this is not a good sign. There’s nothing wrong with packing a Ton of sounds into a punchy Chorus, for example, but make sure the frequencies are properly balanced and mixed so every sound can be heard. Tracks like background rhythm guitar or ambient synths could take a back seat on things like vocals, and not being able to hear those parts is fine. But if your lead vocals are washed out or the drums just sound muffled and unclear, you’ll want to pick up your Mix again.
Solution: Focus on the tracks you want to hear clearly. Work in isolation, then as a whole, until you are all clearly in balance. If you need to hear something to receive the message of the song, such as the text or the melody of the guitar, keep working.
2. The sound is muddy
The word “muddy” is thrown away all the time when mixers talk about too much unwanted collision. So what do you mean by a muddy mixture? Essentially, when your frequencies are struggling, The main Audio is peaking, nothing jumps, and everything seems Distorted, you’re dealing with a muddy mix. In fact, it’s not uncommon for a producer to work on a mix with headphones on at low volume just to take them off, revive them and hear tons of mud in the mix.
Solution: If you get mud, one way to clean up the mixture is to cut off unwanted frequencies – especially bass and treble, create space between frequencies, and move forward always working with clean samples and recordings.
3. It does not translate on multiple Stereo Interfaces
As we mentioned above, if your Mix sounds great in headphones with a modest volume, but collapses as soon as you play it aloud on other stereo interfaces like laptop speakers, studio monitors or a car audio system, this is a sign that your Mix needs to work. By stacking on multiple tracks, sounds, effects and embellishments, things can easily be overloaded.
Solution: If you’re testing your Mix on multiple interfaces and half of what sounds good in headphones sounds good on other speakers, get back to work. Of course, what you hear in headphones or studio monitors is different from iPhone speakers, but the basic requirement and mixing should provide the same. Always remember the lowest common denominator.
4. It does not focus
A common mixing mistake is to give too much leeway to unnecessary sounds and ornaments. There is nothing wrong with experimenting with multiple levels, but if you go too far and there is no consistent topic or focus, the message may be lost. As the expression “ ” less is more often said.”If your Mix has so many bells and whistles that the hearing feels completely focused and sporadic, try to reduce it. Artists tend to be very attached to their original ideas and they have a hard time letting down the sounds.
Solution: Ask a friend to search your Mix for things to cut out. When Kanye West released his album Yeezus in 2013, it was his shortest Album to date. Producer Extraordinaire Rick Rubin was tasked with finishing the Album before listening to it, and he cut tracks on tracks on tracks. He cut so much, West described Rubin as a reducer rather than a producer. While this approach doesn’t work for everyone, remember that every sound you clung to should serve a clear purpose. You want your mixture to be concentrated and digestible-not oversaturated and overloaded like a messy space.